Mr. Reece chose the White-winged Scoters for his stamp, and as it happens, it was the first time that species had appeared on a Duck Stamp. Mr. Reece’s first design was the Buffleheads stamp which he completed while he was still in his twenties. A mere three years later, the second stamp featuring Gadwalls, had been used. His Labrador Retriever, popularly known as "King Buck" had been chose for the 1959-60 stamp.

Mr. Reece was becoming more selective in the type of wildlife art that he did, and there was a change in emphasis in that he was now doing more work for galleries. By this time, he was already one of the country’s most respected wildlife artists, and there was great demand for his work. He had a commission for 12 paintings of his big game animals, and was working on another fish book. On top of it all, he was still doing paintings for advertisers, calendars, and magazines.

In addition to all of his other work, Mr. Reece was now producing lithographs of the waterfowl and other animals that he enjoyed painting so well. These were comparable in size and price to his famous Duck Stamp prints and all of them could be obtained by writing to his studio or to stores where prints were sold.

Mr. Reece became a member artist of the Grand Central Galleries of New York City in 1968. All varieties of his work could be seen and purchased in the galleries. Of course, the subject matter of his paintings was mainly the waterfowl and upland game birds that he enjoyed so much. At the time, he was doing nearly all of his work in oil but he occasionally would do a watercolor.

Mr. Reece, his wife June, and their two teen-age boys, spent most of the time during the school year at the family’s studio home in Des Moines, Iowa. In the summertime, they could be found either on trips throughout North America and Europe or at a studio cabin in northern Minnesota. All four had a long and active interest in such sports as boating, canoeing, hunting, and fishing. The boys had become fine sportsmen-good hunters and fishermen.